10/11/2020 Adobe Premiere Pro Export Options
Checking out export options. The first step in exploring export options, naturally, is opening a project with some content to export. Start Adobe Premiere Pro, and open Lesson 20-1.prproj. Click somewhere in the Sequence 01 Timeline to select the sequence. Choose File Export. While first video and text tutorial was all about my 4K export settings, this one tackles my 1080p export settings. If you are using Adobe Premiere Pro CS6, CS 5.5, or CS5, I have an earlier blog post I wrote back in 2012 detailing my 1080p export settings for those programs. Premiere Pro Premiere Gal January 26, 2017 instagram export settings, premiere pro compression, adobe premiere pro, video aspect ratios, social media, resolution, Video format instagram 24 Comments Facebook 0 Twitter Tumblr Pinterest 0 0 Likes. If I edit the videos with PP CC (2015), I no longer have the Dynamic Link to Encore (gee, thanks, Adobe!) and have to export each of my timelines to a file, load those into Encore CS6 and once again let it transcode the various timelines as best as it can to fit the desired output medium.
You’ve made your film, great! Now how do you get your finished video out of Premiere Pro in the appropriate format? There are export settings for everything, but we’ll go into the ones you’re most likely to need in this tutorial. Here's a quick summary of the parts of the export process we cover here:
1. How to Export Video from Adobe Premiere
New to exporting video? This lesson from David Bode's course on Adobe Premiere Pro covers what you need to get started:
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Adobe Premiere Pro Best Export Settings For Youtube2. Collaborating and Storing (Exporting Video for Archives)![]()
If you’re lucky enough to have a trusted team working with you to produce your film, then you might be sending clips back and forth to each other, and ideally you won’t want those to be huge files. Premiere Pro has a great Shared Projects feature with Project Locking, where multiple editors can work on a film without overwriting each other’s work.
If you can’t, or prefer not to use this feature, then how to export really depends on what the other person will be doing with the footage. If they’re editing it for inclusion in the film, then you’ll probably want to send over the highest quality available (straight from the camera), but if they’re just adding some notes or markers that you can then overlay over your own footage, then you can export at a lower quality.
Keeping your formats the same will help your timeline function better, and if you’re applying a colouring effect or similar edit, you know it will have the same—or close to the same—effect right across the board.
The same logic applies when you’re storing old footage for posterity—always keep the best versions of the material you can, but it’s a trade-off with space and best guess at what you might need in the future.
Sidebar: Digital Video Codecs?
A codec is method for compressing, and then decompressing, a video file (a bit like JPEG files for images), and there are a few of them. Video codecs are ways to get a high-quality result with a reasonable file size, though each comes with it's set of advantages, trade-offs and limitations. A codec is different to a video container (though some can be both) as the codec is how the video is compressed, and a container determines how it’s stored, opened and played.
3. Export for Online: H.264 and H.265
The standard for uploading video has, for a while, been a codec called H.264 (or Advanced Video Coding) which is designed to let you send high-quality video without it needing to be ridiculous file sizes. H.264 was the standard for Blu-ray discs and for Vimeo, YouTube, and other popular online video outlets.
As time and technology have marched on, we now have H.265 (HEVC), the successor to H.264, which promises 25%-50% improved data compression than its predecessor, and support for formats like 8k (Ultra HD). Whilst I’m sure the super tech bods could explain this in a lot more detail than I can, for those of us who want the short version: it encodes your video at the lowest bitrate it can, while keeping your image and audio high quality.
H.265 does, however, require more processing power, which is probably something to bear in mind depending on the specs of your computer. If you’re using a slightly older version of Premiere Pro, you might only have the H.264 option. Another very important consideration is that many machines just won’t have the H.265 codec, which means you can’t watch the video unless you download it, at a (small) cost.
Once you’ve selected H.265 (or 4) in Premiere Pro, you’ll be presented with some more specific options, for your video, and it depends on your requirements as to what you’ll select. The most common ones you’ll probably use are the presets for YouTube or Vimeo, which will then give you the option to tweak other settings. You need to make sure that your source and output match in the settings. If something like your ratio is different, make sure that it’s deliberate (like if you’re downsizing) otherwise they should match. In the Video box below, you can actually click Match Source which will help make sure your settings match.
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The choices you make here are ones you want to produce the highest quality possible, so that when you upload to YouTube or Vimeo and they compress your video further it still looks good. The Premiere Pro breakdowns are pretty good, so you don’t need to worry too much about making changes within the standard profiles if you aren’t confident about it. For web delivery, make sure Profile (in Video) is set to High.
If you have a free Vimeo account, remember that although you can upload 1080p, it’ll be downsized to 720p, so it’s worth choosing the 720 export option in Premiere Pro.
4. Constant vs Variable Bitrate
Part of the hierarchy in the export settings with H.265 (or 4) is the option to choose between constant or variable bitrates. Constant is, as you’d think, a standard bitrate across the whole film. Variable bitrate lets you set target and maximum bitrates, which means PP will aim for a certain amount of data throughout your video.
Shots that are more complicated and need more data. With a variable bitrate, Premiere will up the allowance to that according to your maximum bitrate setting, keeping the bitrate of simpler shots down, so that your overall file size can be lower. If your ultimate destination is the web, you’re going to want a high bitrate for the reasons I mentioned earlier: it’ll get compressed again when you upload to various social media.
Client Considerations and File Sizes
If you’re sending your project to a client as an exported video, you should ask your them about their requirements, because if you think about a feature length film, for example, rendering that out at highest quality might be a lot more than their machine can handle and it might prove difficult to actually send. It might even be wise to render a couple of versions, one a much more compressed version, so that your client has options.
In SummaryAdobe Premiere Pro Cs6 Export Settings For Youtube
There is no one-stop-shop for export settings, unfortunately. The good news is you don't need to know the ins-and-outs of bitrates and codecs to get something of high-quality out of Premiere Pro and to your desired third-party. What you need to know though, is what you want and then you need the patience to potentially make more than one version or render of the video to fulfill that.
The best way to learn what you need for each eventuality is to find out the quirks of the third-party uploaders you're using, like Vimeo downsizing on free accounts. That way, you can make the best decisions for your video, knowing that extra compression won't ruin it.
A good rule is, if size isn't an issue, export to the highest settings and quality you can. If size is an issue, then begin a gentle trade-off between size and space. it's a delicate balance, but certainly when it comes to exporting for online use, you're in fairly safe hands with the H.264 option and you can start to customise those settings as you get more confident.
Note: This excerpt does not include the lesson files. The lesson files are available with purchase of the book.
Getting startedExport Video Adobe Premiere
Adobe Premiere Pro CS5 offers a full array of export options—methods of recording your projects to tape, converting them to files, or burning them to DVDs.
Adobe Premiere Pro Export Settings
Recording to tape is straightforward, while file creation has many more options. For example, you can record only the audio portion of your project; convert a video segment or entire project into one of many standard file formats; or export still frames, sequences of still frames, or animation files.
Adobe Premiere Pro Cc Export Settings For Youtube
Of greater relevance are the higher-level video encoding formats available in Adobe Media Encoder. You’ll use that powerful tool to create projects for posting on a web site, for burning to multimedia CDs, or for exporting to mobile devices using the new Adobe Device Central CS5 software. If you need to create Flash Video for web sites, you can export Flash Video with web markers. Adobe Media Encoder is a stand-alone application that handles exports in batches, so you can export in several formats simultaneously and process in the background while you work on other applications, including Adobe Premiere Pro.
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